Maria Melendez
Maria Melendez
Feb 2011
for Quetzal, at 13
(—In the cave of the child’s self,
the mother’s light shines only so far.
After that,
we’re blindfolded, spun three times,
asked to pin animals together by guess and grope—)
I searched for my boy and everything he touched
became infused with light and verged on breaking.
A pitcher of darkness on my head,
another on my hip,
they sloshed on him,
I was a sloppy guardian.
A sloppy guardian,
I stippled my darkness
over him, heavy jars
on head and hip
a-teeter.
Why look for happiness in relationship
to the child, now growing
past all that?
Because, that’s why. The entrance
to the cave sometimes appears
in the bramble and gorse—
He still sits near me any so often
and his too-tight squeeze says
“Thank you, Mom,” for so adventurly tending me—
for we crossed something both hard and scrabble,
we traveled ‘by night’ and slept ‘by day,’
crickets clearing the way
beneath each of our feet.
We were two yearling foxes
with tourmaline eyes,
stretching our heads to see above the grasses,
nuzzling unripened buffalo gourd,
hunting the perfect turtle nest
to raid.
When the sun went through
its seasonal failing, we’d curl
warmth into each other, dream off the short days,
and wake to test the hasty truth of spring.
after Brenda Hillman
Leaving the den
Maria Melendez publishes Pilgrimage in Pueblo, Colorado, a literary magazine serving a far-flung community of writers, artists, naturalists, activists, seekers, and other adventurers in and beyond the Greater Southwest (www.pilgrimagepress.org). University of Arizona Press has published two of her poetry collections: How Long She'll Last in This World (2006), and Flexible Bones (2010), and her essays appear in Sojourns Magazine: Natural & Cultural History of the Colorado Plateau and Isotope: A Journal of Literary Nature and Science Writing. She serves as Contributing Editor for Latino Poetry Review and Acquisitions Editor for Momotombo Press, a chapbook publisher featuring prose and poetry by emerging Latino writers.