BIO
J.J. Hernandez is a poet in Fresno, California. He holds an MFA in poetry and served as the inaugural fellow in the Laureate Lab:Visual Words Studio under Juan Felipe Herrera. You can see some of his work in Tinderbox, Queen Mob's Tea House, and (forthcoming) Crab Orchard Review.
Imaginary Lines
My father drives us to
California, once
a year, so that he can
see his mother. Colorado, New
Mexico, Arizona, &
California blend
together only separated
by imaginary
lines on mesas, green
fields, old
volcanoes, &
desert valleys. SEE LIVE
BUFFALO splays billboards
somewhere. My dad
tells us to look
from the highway, that
we have buffalo
in Colorado. Mom plays
country
music and the sad
songs lull us
to sleep. I dream of
the empty
plain, of the dark
starry
night, of the
underworld, of the layers
of the earth’s core.
Crust, mantle,
core. I wake up &
we’re in the mausoleum
at Carlsbad. The stalagmites
& stalactites
dripping, spiraling
into each other.
I remember wandering dark
caves and mashing my
feet on bat
shit & wet limestone. I awaken
again to my parents
arguing
about traveler’s checks
&
money. More buffalo
& more
land. I tell my
brother we found
him under a red
rock somewhere
on the New Mexico/
Arizona border.
Another imaginary
line. Outside of
Gallup we stop
to buy illegal
fireworks at a store called
Blue Water. In New
Mexico there is a town
called Tome, my
Grandparent’s home. My father looks
like he’s going to cry
when he talks to
an older woman making
chile
Colorado. The town was
probably built
on the land that my
ancestors once
owned. Land that was
most likely
stolen, the new
America.
She’s probably my cousin he tells my
mother. She nods and scans
the radio for
something else
besides country. In
Needles,
my brother is crying, again,
he
doesn’t want to be an
adopted
child of the desert
& my mom pinches
us all from the front
passenger seat. In
Fresno, my dad tells
his mother
that he went to Tome
in New Mexico, while
they talk on her red
porch. The paint
is chipping and the
sun has beat
the black chairs into
grey, but they
own it. They can pass
something
to their children,
another tradition not
lost, the birds of
paradise
that my grandmother loves
still grow & do
not die.
Trinidad, Colorado 2017
For My Mother
I never hug my mother anymore,
but her sister is dead, her
sister
is gone, & I have to hug my
mother. Peace is a fabrication.
When my aunt died, she labored
for breath, the hospice manual
called it “fish out of water” syndrome.
Mom told me it was hard, but she
thinks god took her home. The
bible tells me so. The bible
tells us
so. In my hometown I walked
along railroad tracks looking
for memories that I lost, for a rock
landing, limestone, granite,
dirt
cactus. Is the end of the world coming,
is the fire going to kill? I
wandered to
a beaver dam that has been in the area
for years, & when the floods
wash it away,
they rebuild. California is burning & the
aspens of Colorado mimic the
fire,
red, orange, yellow,
& the leaves
rustle. Fire is a tree, a tree
is fire.
Mom washes my aunt's bed, cleans her
closet. Her sisters cry &
fight. The
clothes are old, but beautiful. My mother
isn’t young anymore, streaks of
gray & the sadness in her eyes
make her look old. We don’t live
forever
eternity is a fabrication. Mom asks me to
write a poem to read at the
funeral,
but how do you tell your mother
you are empty. That you are in
the
process of rebuilding, that you
are not going to live forever.
In the last
days perilous times will come. I want
to go home, I want to wander the
brick
streets of the mining town. I want to make
my parents proud of me, I miss
my grandpa, this is the end of an era, this is an
era of
rebuilding. The city is on
an upswing. Mom, I’m getting there. Sew
a button on my black
shirt for me? I’m
using it more often, the seams are coming
apart the
threads are breaking, the fire
gone, ash carbon, I am
carbon.