Jonathan Ayala
An Interior Locution from a Used Record
The songs start the same
no matter where I am:
Guitar strings that rattle
summoning plaza airs
in Spanish-speaking cities,
quivering voices dripping
with Garcia Lorca's obsession,
homesickness, el duende.
I hear my mother singing on
ceramic kitchen tiles,
my father whistling while
he scrubs his pickup clean.
And drops of water rub
blades of grass like amber
rosin rubs a bow.
I hear the silence just
before my brother drops
a quarter on a polished pew
The metal clinks onto
the ancient solid oak
awakening sleepy angels
in corners of the church,
like circling birds in search
of ground dry enough to land.
Listen, they say, the world sings.
I move because I hear it.
It calls my name below
and above and I jump and fall
but all in the same place,
where old voices open
new thoughts: we best know
who we are when we know
who we come from.
Mass
“But time is fixt, and sendeth light from farre
To all that in the wide deep wandering arre.”
-The Faerie Queene by Edmund Spenser
Brass bells pulse
inside bronze casings,
pretty girls in plaid
greet with syncopation,
and he who kneels invokes
the presence,
invokes our Gloria,
of Glory on the highest.
The Sanctus, almighty
second-century creed snaps,
like thunder cracks the sky,
the worshipers' chants
swell into chorus,
summoning stories of our birth,
and Our Father who art in Heaven
becomes so only when we sing.
Perhaps He comes for our music.
BIO
Jonathan Ayala is an El Paso, Texas native. He studied English at Northwestern University. He now lives in Washington, D.C and works as a volunteer in an education-focused non-profit. His poems have appeared in The Logan Square Literary Review, Gertrude and Helicon.
2 POEMS