BIO
Paul Hlava holds a BA from UC Riverside and MFA from NYU. His poems can be found in Narrative Magazine, BOMB, the PEN Poetry Series, Truthdig, among other newspapers and journals, and have been nominated for the Pushcart. He has been awarded a Poets House Fellowship, Cave Canem summer workshop, and a spot in the Best New Poets Anthology. He lives in Seattle and can be found at paulhlava.com.
Chase
I will dismiss you but first
sidle up to me
in this here
ergonomic plastic chair
and let me deliver
a story
before your thirty minute nap
at the lunchroom tables
there once lived
a boy or girl
who wanted to sing
but couldn’t you’re not
a singer you’re
a rancher
the horses said
but the boy or girl wanted to exploit
every available ear
alone and silent scarecrow
was distressed
plastic owl on its shoulder its insides
were empty
and beneath it
the child found vibrating in dirt
a new voice
dug it up
multi-faceted sparkling the child
installed it
it fastened
the child to itself
which opened its mouth
and spoke
grass fluctuated wildly
scarecrow’s shirt snapped open
the song shook
curves from clouds
bands from the bucket
at the bottom of the well
the child ran to town and laughed
animals
fled the freezer
of the butcher shop
the baker’s bread sprouted wheat
the stalks sizzled and popped
mother
I can sing so loud
but mother
locked the door
who are you mother yelled
where is
my little boy or girl
when the child begged
please
bricks and mortar split
mother huddled under a table
from the child’s
fang its terrible
paw the house could not
hold
the voice
would not let go
at least not without
a majority vote of all involved parties
but don’t worry
take your thirty minutes
lay down your head
if your unconscious
hand slides up
to squeeze your throat as you sleep
I’ll be here
watching
Elena
What department can
grant a body
the ability to speak
which manager takes it I lost
my voice last
Sunday in the strand of paraders
that curved down Broadway
our come now shut it down
New York is a people’s town!
was louder
than all machinery of the streets
that moved us
by the thousands where is
my baby
she cried
the firetruck’s siren set off
car alarms in our guts
another braided
cheer bleating air-horns
rushing past our
faces she called out a baby’s cry
was a net thrown through
plural waters of our helplessness
the crowd parted
and baby was there
still in the arms of Nikki
who is a good person
in this moment
which is infinite
sunny and warm
we grasp the grammatical
threat when you say
workers could
disappear from their posts
buildings could close
but we are bundled in loans
there is no power
like the power of
defaulted student debt
and that power don’t stop
a fight is dangerous
for those with something
to lose the elevator
that requires a golden key
Nikki and baby and me
confetti-tattered bodies
beneath open
windows of Broadway
crying wah wah wah
Our mandatory employee meetings
were run by a woman named Kia
Stevens. First, she claimed to be a
government
rep, then a labor lawyer,
but by week’s end she divulged she was
a nurse’s aide.
Ellen claimed she didn’t
exist online. Was it true her son was
starting first
grade? After her last day I
saw her on Broadway and yelled, but
she didn’t
turn. I wanted to know how
she really felt about us. She was
hustling to the
end of the block.
In my pursuit, something in my
chest opened and closed at an
unbearable pace. She glanced back. Her
heels
clacked faster. It occurred to me
we were two vulnerable animals, no
greater or
less than circumstances we
were born into, which we would
survive only briefly.
Maybe we each
deserved our own small share of
tenderness. The streets were
bare. Kia
hailed a cab and looked over her
shoulder, maybe at me. I opened my
hand and gave a tiny wave. We were
the only ones there to show kindness to
each
other.