Edwin Murillo
Edwin Murillo
Ahasuerus
Suspiro un aire suicida y un arco de triunfos frustrados
Como un sepulcro Corsicano, siento las catacumbas
De tesoros jeroglíficos y
el encanto naturalista de nuestra señora y
las almas perdidas y
yo un cadáver fresco como el amanecer
Insolente y nefasto…
What sin you gift me, friend?
I feel not remorse, my wanderings
Are my fevered ecstasy
The regal simplicity at Pan’s feet
There in Kensington’s garden
I felt the mythic weight of antiquity
There again I drink in the euphoric existence
Of your Majestic ease
En barrios góticos y
casas insólitas de losas atropelladas,
procurando peligros
en ramblas descontroladas
vagueo felizmente y que sacrilegio de mares sintéticos
De tus familias consagradas que me recuerdan aún
At a trinity of mounts or any Spanish step
There you can attest to my fingerprints
Amongst fallen warriors and vanishing glories
A pantheon of memories, silent and catatonic
A maze of synagogues, villas and a coliseum
Only to scent my presence, so as to know
Myself alive, one foot print at a time
Cruzo el ecuador y me pierdo en laberintos porteños
Y en la casa Anchorena, rindo cultos circulares
a ciegos clarividentes, filántropo misericordioso
Y yo sofocado por galerías grises y casas rosadas
Que relampaguean en mi memoria
Como un siniestro uncanny,
Increpándome dulcemente:
¡Hay, os digo, aquí quien no saboreara el néctar de la muerte!
Y yo parto hacia corcovado,
unwelcome into a city of men.
BIO
Edwin Murillo is Assistant Professor of Spanish at Penn State University-Berks.
He has also been Assistant Professor of Modern Languages at Erskine College.
He received his doctorate from the University of Miami and holds an M.A. in
Spanish Language and a B.S. in Psychology from the University of Houston.
Most of his work focuses on Latin American Existentialism and his writing
aims to reconsider Latin America’s contribution and subordinated position in
the Existentialism canon. His articles have appeared in Divergencias,
Neophilologus, and Hispanófila. His poetry has appeared in Marcapasos and
in Líneas desde el golfo, edited Edna Ochoa and published by LACASA.