BIO
Amanda Huynh is a native Houstonian living in Virginia. She attends the MFA Creative Writing Program at Old Dominion University. She was a finalist for the 2015 Gloria Anzaldúa Poetry Prize. Her work is published or forthcoming in the following journals: Huizache, The Healing Muse, Tinderbox Poetry Journal, and As/Us: Women of the World.
Returning to the Moment I Learned To Count
my imperfections: in our small house
in Houston, my two hands swollen
and puffy from rips of skin,
my six-year-old fingernails bitten.
Each time my fingers seek the comfort
of my mouth, you slap them,
rub jalapeño pepper juice into the cuts
then cover them with gloves. Seven
brings new glasses: you hand me
the pretty bronze frame and I jump
from the clearer vision of the parking lot.
I smile until you introduce me
to the word four-eyes. At ten I struggle
to fix my short hair, smooth the dark mess
into a half ponytail before school. But it’s ugly:
you pull the chongo out. You call attention
to the smell of my puberty, twelve grams
of red spots on a pad needing a change
because I smell like vagina. Fifteen: I run
around the pool with cousins until you say
my stomach pouch makes it seem
like I’m pregnant. I wrap myself in a pale
yellow beach towel. At seventeen, I need
to wax my eyebrows. At twenty-two, I still
don’t wear makeup. At twenty-four, I need
more exercise. At twenty-six, I understand
why you don’t love yourself.
Dull Circles
I find my mother at the hospital bus stop
although she no longer works there: my mother
dressed in a lollipop scrub top and blue pants
speckled with bleach, patchy like her mind.
I’m waiting—waiting for the bus. No. Going
to work: patients to take care of.
Yes, patients.
I want her back. I want to catalogue her memories
in her brain’s filing cabinet where she last saw them,
the clean manila folders inside fleshy dividers,
the metal click of the drawer. I look at each stranger—
Stand. Walk beside the faces of patients
in the hospital; place a hand on the Welcome Desk.
each one walking by until she does. I trail behind her, moving
with the scrubbed crowd. Mother stops at the counter; I nod
to the volunteer as he says hello to my mother the way he did
yesterday. The same way he will do next week, like a lunch date.
I yawn my hands open and notice something missing—
my ring. A dull silver with a topaz gem. From my son.
Every hospital volunteer recognizes me, recognizes her
hands’ routine: they spider the counter then the hospital floor, lobby
chairs, marble stairs. Searching until she rests an ear on the hand rail.
They reach out to people walking by, Have you seen my ring?
A woman who has my same brow and nose takes me home
and I scream for my missing ring. But she isn’t listening.
I drive through her wailing, yielding when the light turns yellow,
and watch a little girl in the car over: staring into her lap, chipping
nail polish off her nail, twisting a ring. Always her ring. Always
my brother. I text him: Another fit. Come by the house. A car honks.
I shake my hands at the woman, but she sits me down
in front of the television. The woman wipes my face and cries.
I don’t know her anymore. I spend my evenings in the kitchen: pulling
every plate, every glass out of the cabinets to replace. We wait for him
to knock. She remembers my brother. He has another sterling ring for her
gnawed finger to lose. She remembers his name before she calls mine.