Poetry
Poetry
Altar That is My Mother’s Dressing Table
“…faith in the momentary” Amalia Mesa Baines
Leaning in, I see a compact of loose powder
puffing upward like sensor dust--
to soften the shine on her nose and forehead
before she pulls her fingers through suede gloves
for another rubber of Honeymoon Bridge.
There’s some cheap costume jewelry—
fake sapphires set in seahorse eyes
fetching a fortune now at Little Lulu’s Vintage
A dime store fan accordions out
the green of Scarlet Ohara’s siren eyes
fading into soft browns of Dolores Del Rio
like a spread hand fortelling the marriage of needles
and eyes—of dreams and dropped stitches.
Symmetrical peacocks spread
shifting eyes on chenille
where I once watched her scalloped lips
blot a hankie Marachino Midnight
tatted with the hours she waited
pearling her needles to contain
the secret whisperings of her heart--
the bitter kisses never returned.
Blown breath on the silver moon
traces the name of the one she’s waiting on
the mirror dredges his dark brown eyes
always turning away—promising
later, to fix the cherry wood sacred
heart he broke.
My Sin meets Cotillion
Naked Maja and Mississippi Rose waft
over two sets of eyes grazing
across tatted lace and invisible lines
unraveling in the basket of colored yarn--
tumble of two worlds she found
herself hopelessly tangled in.
She swings her hair and fakes
a laugh, her sweet sad glance swims
across the crashing years—breaks
the surface of Sunday afternoon
in my bathroom mirror today--
shadows flit, her fake pearls unstrung
and rolled to different corners
of the globe—doll shoes, scraps of letters
lost—withered and digested
by silverfish—sparkling in the dust
and oxidized edges of the mirror
with lost glances gathered now
in a trance of heartless silver.
Ode to My Imaginary Sister
who sings “No Regrets” in Spanish,
dances on top of the stove
hot as a summer steering wheel
full of piss and sunlight
works at nothing
so much as her own desires—
belches at the symphony
the violins at the peak
of crescendo- no apologies.
She twirls a string of nectar
and reflected light dripping
down to her bare toes
sucks mangos at intermission,
juice shimmies down her chin
into a spangled navel—
“Vamanos novia,” she says
“find a juke joint,
some hot blues and cold beers;
let’s ride the stars bare
back and blow your inheritance
on drinks para la casa.”
Bio: Dixie Salazar
Dixie Salazar is a local poet, artist and activist who has taught poetry at Corcoran Prison and Valley State Prison for women, Chowchilla where she learned how to make tamales out of Fritos and canned chile. Dixie has published a novel, Limbo in 1998, which was inspired by a toilet planted with marigolds in a neighbor's yard and she also has four poetry collections: Hotel Fresno, Reincarnation of the Commonplace (a national poetry award winner), Blood Mysteries from University of Arizona Press in 2003 and Flamenco Hips and Red Mud Feet in 2009. Recent projects involve work with the homeless in Fresno. A collection of poetry named Altar for an Escaped Voice has just been published by Tebot Bach. It contains sections of poems in the voices of inmates and also homeless poems. She has an art studio at 654 Van Ness, Fresno where she collaborates with the cockroaches. You can go to her website: http://www.dixiesalazar.com